University of Bamberg
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Humanities Faculty

Chair of English Literature

  1.  University of bamberg
  2. Faculties
  3. Humanities
  4. Institutes
  5. English and American Studies
  6. Chair of English Literature
  7. Team
  8. Sarah Busch, M.A.
  9. Conferences, Lectures, and Workshops

Conferences, Lectures, and Workshops

  • 2026-09 Paper “‘You Are Not Alone.’ Duncan Macmillan’s Every Brilliant Thing as a Network of Care for Audiences.”, Conference of the Theatre and Performance Research Association, Queen Mary University of London
  • 2025-06 Paper “Queering as (Re)directing in I, Joan and Birds and Bees by Charlie Josephine.” with Heidi Lucia Liedke, “New Stages for Sex, Gender and Sexuality in Contemporary Theatre”, Conference of The German Society for Contemporary Theatre and Drama in English, University of Konstanz
  • 2025-06 Paper “The International Dublin Gay Theatre Festival as a Contested Archive of Queer Feeling Outside of Time”, Conference of the International Federation for Theatre Research, Working Group „Queer Futures“, University of Cologne
  • 2024-11 Guest Lecture “Affect in Contemporary Theatre and Reception” in lecture series “Affekte, Emotionen, Positionen”, Gender Studies, University of Cologne
  • 2024-10 Session “Building Trust and Confidence Through Physical and Verbal Improvisation”, Workshop “Queering the Classroom – What Theatre Can Teach Us About Diversity, Solidarity and Inclusivity”, Universität zu Köln
  • 2024-09 Paper “Audience Affects of Dis/comfort in Contemporary Irish Performance”, Working Group “Audience, Experience & Popular Practices” at the Conference of the Theatre and Performance Research Association, Northumbria University, Newcastle
  • 2023-03 Paper “Negotiating Irishness at the Abbey Theatre – Audience Engagement in Brandon Jacobs-Jenkins’ An Octoroon” Panel “Irish Communities in a Glocal Context: Literary and Cultural Narratives”, Conference of The German Association for the Study of English, Universität Siegen
  • 2023-02 Paper “Affect and Audiences: How Qualitative Interviews May Capture Performance Experience”, Graduate Student Conference “IN CAHOOTS: Disciplinary Crossings & a Future for Performance Studies”, University of California, Los Angeles
  • 2022-08 Paper “Because It’s Live You Kind of Have to Put in the Effort.” – Sarah Kane’s Crave as Livestreamed Theatre and Its Reception from Home”, Conference of the European Society for the Study of English, Johannes Gutenberg Universität Mainz
  • 2022-07 Second place at Science Slam Freiburg: “Mit-fühlen ist Alles: Affekt als Form der Partizipation bei der Rezeption von Zeitgenössischem Theater”
  • 2022-06 Paper “‘They Think We’re Foul-Mouthed Sluts.’ – Three Outcast Women and Their Relationship to the Audience in SHIT”, Conference of the Irish Society for Theatre Research, University of Ulster, Derry/Londonderry
  • 2022-02 Paper “The Feeling Collective: Reception of Online Theatre in Times of COVID” Online Symposium “EPICAMP: Collective Identities, European Identities”, EPICUR European University
  • 2021-05 to 07 Two Five-Day Workshops “Acting, Body Work and Writing for the Stage” maniACTs English Department Drama Group, Universität Freiburg
  • 2021-05 Session “Writing for the Stage”, Seminar “Water, Environment and Poetry”, Michaela Frey, Universität Basel
  • 2021-02 Roundtable, “Queer Visibility In- and Outside the Classroom: LGBTQIA+ Inclusivity and Equality”, for Drama Matters UK