Risk of damage to cultural property due to insufficient relative humidity in interiors of nationally valuable cultural property.
Analysis and recommendations for dealing with the effects of global, anthropogenic climate warming.
Content and aims
Due to global warming, Germany has been experiencing increased periods of heat with temperatures above 39 °C and significantly longer dry periods in summer for several years. These weather extremes will also increase in the future and sometimes have a damaging effect on the monument and its surroundings. While excessive humidity has been the problem in historic buildings in the past, critical values below 40% RH are now being measured more and more frequently indoors. These low humidities lead to a high risk of damage for numerous art genres. Especially polychrome surfaces, such as canvas paintings, paper and leather wallpapers, painted wooden surfaces as well as wall paintings, can suffer irreversible damage, such as cracking, loosening and loss of substance of the paint coating, etc.
The aim of the project "Under 40" is on the one hand to record and evaluate the climatically induced changes or the resulting damage to monuments by means of a national survey of the largest possible number of monument owners and managers. On the other hand, three case studies in Saxony and Saxony-Anhalt will be used to take a closer look at the indoor climate in various cultural monuments and to investigate its impact on the historical furnishings:
- Moritzburg Castle: The Baroque wall tapestries represent the largest inventory of Baroque leather wallpaper. 11 of the original 60 rooms in the palace are still preserved with the original wall decorations. The paintings, which depict Diana, the goddess of hunting, in the center, have been extensively restored in recent years and have since shown damage in the form of shrinkage cracks, which can be attributed to the extreme periods of heat. (Source, 27.04.2020, 12:41)
- Augustusburg Castle: in the castle church, the Cranach altar and pulpit from 1572 form one of the central exhibits of the castle museum. Painted by Lucas Cranach the Younger, the sacred painting shows the only surviving portrait of Elector Augustus and his family in the contemporary Renaissance décor. After seven years of restoration, the altar was equipped, among other things, with a climate box to record the slightest change directly on the sacred painting. (Source, 27.04.2020, 15:30)
- Albrechtsburg: Due to reparation payments from France, it was possible to completely renew the interior of Albrechtsburg Castle in Meissen towards the end of the 19th century. Starting in 1873, eleven artists painted the rooms on the first and second floors of Albrechtsburg Castle with history paintings, historical ceiling paintings and portraits. Due to the low humidity in the building, which is used as a museum, damage patterns such as loosening and loss of substance in polychrome color settings can also be seen in these wall paintings (Source, 29.04.2020, 13:30).
Using the data from the case studies and the information provided by monument owners and managers, it will be possible for the first time to compare the phenomenon of insufficient humidity across Germany and, ideally, to subsequently formulate suitable strategies for preventive damage control.
In order to collect the most accurate and comprehensive information possible about the monument, a questionnaire is being prepared that will be sent to institutions and private individuals who are potential managers of historic properties. This is broken down into building types and focuses primarily on questions about extreme climate events and resulting damage to and within the affected monument. The data obtained with the questionnaire expands the knowledge and information content of the few closely examined case studies to a Germany-wide information database on the impact of global warming on monuments.
With so-called "stand alone" data loggers, which record and store the climate locally at the object, the conditions on site are recorded and evaluated locally as well as on the surfaces of the exhibits. With these data, the indoor and microclimate can be evaluated in terms of its dynamics, rate of change and range of fluctuation and assessed for damage risks. Further, the climatic environment at the three sites will be compared. This follows mainly in cooperation with the Institut für Diagnostik und Konservierung an Denkmalen in Sachsen und Sachsen-Anhalt e.V. (IDK), because the readout of the data requires a frequent presence on site of qualified persons.
The analyzed inventory climate, in combination with conservation condition studies and optical examination methods (strip light projection, high-resolution time-lapse photography), can identify critical fluctuation cycles and be translated into a simplified climate profile, which is implemented in the climate test cabinet. The climatic test cabinet experiments are carried out on dummy objects based on material templates from the case studies.
Project leaders: Dr. Kristina Holl; Prof. Dr. Paul Bellendorf
Project member: Anne Karl, M.A.
Project partners: Dipl.-Ing. Uwe Kalisch and Dipl.-Ing. (FH) Thomas Löther of the Institut für Diagnostik und Konservierung an Denkmalen in Sachsen und Sachsen-Anhalt e.V. (IDK)
Click on the images to enlarge.
Press & Media
Selected media & press articles related to the research project:
- Uni Bamberg: Pressemitteilung: "Klimawandel schadet Kulturgütern" vom 28.07.2020
- ZDF Heute Journal: "Klimaschäden an Kunstwerken" vom 26.09.2020
- BR2: Klimawandel schadet Kulturgütern vom 29.09.2020
- MDR aktuell: "Extreme Trockenheit wird zum Problem für Kunstschätze" vom 20.10.2020
- BR24: "Klimawandel: Denkmäler und Kulturgüter kommen ins Schwitzen" vom 27.10.2020
- BR Fernsehen: "Klimawandel schadet Kulturgut" vom 27.10.2020
- BR Fensehen: "Gut zu wissen" vom 27.06.2021
- restauro: "Der Klimawandel und die Restaurierungswissenschaften" vom 01.12.2021